That Drifting Excrement Was Way Too Symbolic! These Are the Television Letdowns of the Year.

As we reflect on the television landscape of the past year, a selection of series emerge not for their brilliance, but for their spectacular shortcomings. Ranging from awkward sequels to bafflingly poor documentaries, here are the productions that left us utterly bewildered or simply reaching for the remote.

And Just Like That

How to start with this divisive spin-off? Plagued with woeful scripts, painful character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series struggled to find its footing. For a moment, as the final series started, it seemed as if it had at last found its groove. Then arrived an episode all about Seema’s natural deodorant. No wonder the creator declared this would be the last season. It ended on a bum note; the closeup of Miranda’s toilet full of poo was simply too symbolic. Yet, viewers certainly had a hoot dissecting every single “what on earth?” episode. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who couldn't release a little sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the smallest of this drama's issues. The recipient of a very rare zero star assessment, it was hard to know where to start listing the flaws. The hilariously leaden writing? The tedious glorification of affluence and materialism? The almost wilful parade of tropes? Acting so poor they felt almost malicious? Suffice it to say “all of the above” and forget about this show again. Except, a second season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, domestic violence allegations and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d really have known it from this three-part documentary which chuckled along at Sheen’s various episodes of reckless excess while failing to tell us a single thing we weren't already aware of. Rather, it felt as if this loose cannon was being pandered to, so any pity this show might induce should be saved for the people who have had to suffer proximity with this charismatic but flippant egotist.

The Supercomputer Drama

Of course we knew it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of pure admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. Talk about giving up the ghost.

MobLand

Dodgy figures convening in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

In truth, that is harsh on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the ignominy of having to accommodate unconvincing dialects. But there were plenty of other problems. Primarily that it was just really dull; a conflict over narcotics territory between various London rogues which seemed rather simplistic.

With Love, Meghan

Given the degree to which she provokes the ire of certain ostentatiously angry commentators, it’s almost tempting to admire the Duchess of Sussex’s televised ventures into quaint lifestyle as deliberate provocations. But then you watch them and are compelled to concede that actually, they might have a point. It’s like watching a homeware catalogue come to life; a poster for evening drinks with delusions of grandeur; a parade of snoozing dogs, buzzing beehives, sentimental platitudes and pointless crafting “tips” you’ll not remember instantly. All underpinned by vast, mostly unearned wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be said about regarding Victoria Beckham and her journey with vocation, self-image, self-acceptance. But for whatever reason, this documentary series opted not to explore them. Rather, the viewing was akin to consuming a marketing brochure. She clearly has good reason to resent what she describes as her “miserable cow” image. But sadly, she failed to do herself any favours with this cagey letdown of a series.

The Game Show

It had the potential to be the next big hit – except even more extravagant, with a famous star playing dead and a sharp-tongued personality managing her inheritance. What more could you ask for? As contestants competed, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s even now too complicated to explain what precisely was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The show ended up reeking of a programme that was straining desperately to emulate something way beyond it.

The Lena Dunham Romcom

How do you follow a show that captured a generation? The expectation was enormous for this glitzy romcom about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The lead actress seized the opportunity by the horns and was a delight to watch, reveling in Jane Austen levels of romantic ideals. But it was all very slick and, ironically, was not enough. Plus, the abundance of celebrity cameos involved felt icky.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the smart inclusion of gifted younger comics, hopes were high. But sadly, most of it didn’t land. A particular sketch was a single joke stretched to a dry pulp but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have remained in there a while longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled sensitively. Rather, the series struggled painfully to find the right tone, lumbering from oddly jaunty, slightly mannered farce to inevitably, real-life horror. Complex? Perhaps. A complete mess? Absolutely.

The Maths Genius Thriller

We love the star … but did we believe him playing the most brilliant maths genius in history, a man so smart he’s on the verge of a discovery that could ruin society? Nope! This international thriller about secret services spying on – and eliminating – intellectuals honestly got more farcical by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator notorious for explicit escapades as she undertook her biggest challenge yet. What on earth would motivate her? What we wanted was way more examination of her actual psychology, plus those of the men in the line. They could at least have interviewed the legendary mum who showed up to haul her son away from the queue. What we got was horrific shots and zero interrogation of her infamy whatsoever. And to think, the filmmaker has a young daughter too.

Natasha Richards
Natasha Richards

A seasoned gambling analyst with 10 years of experience in casino strategy and sports betting. Known for data-driven insights.